The challenge is not in finding something outside yourself, but in being vulnerable enough to explore and express what is already there. I learned this early on while I was shooting fashion films with Gia Coppola. We would run around with the camera and shoot what we thought was beautiful. Our first feature together, Palo Alto (2013), changed the course of my career, allowing me to present my unique visual style to a wider audience. Gia and I were brave with our process because we were willing to trust our instincts. Looking back, it built so much confidence in our point of view, and we developed a collaboration and friendship that I treasure.
Being brave with my choices is my most important tool. When you create from that honest place, your work carries power. And when you’re able to create with people you genuinely admire and love, your work begins to truly evolve. Finding the right place for the camera is part of my job as a cinematographer, but for me it’s more than just a technical decision; it’s something deeply personal. I never fully know what feels right until I have my eye to the eyepiece, watching a rehearsal unfold. That’s when it clicks. I feed off the performances, the rhythm of the scene, the energy, and the beauty in the space. It’s an intuitive process, one that comes from being present and connected to the moment.
Imitation can teach you technique, but it won’t reveal your truth. Every time you take a risk and share your perspective, you step closer to discovering your visual voice. Each choice I make is a mix of instinct and lived experience. It’s about trusting the feeling I get and drawing from what I know. I’ve also found that the more I infuse my work with my cultural identity—Sinners (2025) is a great example of this—the more vibrant and meaningful the work becomes to me. With my great-grandmother born in Mississippi and my father born in New Orleans, returning to that land after so long—to tell a story rooted in my personal ancestry, with the special team Ryan brought together—was profoundly moving. Every layer of that experience carried meaning I could feel in my bones.